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I have an AKAI MPK5000+ I can never get Cubase LE8 to work. It either crashes the entire computer, or freezes within five minutes. The MPK4000 had the same problem, and I returned it to AKAI for a refund. They couldn’t be bothered to fix it.
I bought one of those brick like keyboards that the late lamented Korg made. I have been sold out on Steinberg for many years, so it may be time to look around. Sometimes the product has to be so good before someone will pay attention to it. I wonder if Steinberg could actually learn from all of the other companies making audio software? I was really looking forward to a FREE upgrade to Cubase LE8, and I have found it useful so far, but I haven’t tested every feature yet. I think they learned enough to make a good first release.
I have found Cubase to be incredibly simple to use once you understand what to do. In fact, for an audio professional working on a limited budget, I think Steinberg’s product is one of the best available (aside from maybe Propellerhead).
I work in a technical field but find Steinbergs process of install and setup to be rather daunting, confusing, frustrating and simply not worth the time wasted. How easy do you think it will be for someone who is new to the techie world. They simply will not survive this. Its for this very reason that so many have turned to purchasing other manufacturers DAWs. Really too bad because Cubase has an expansive feature set, IF YOU CAN FIGURE OUT HOW TO MAKE IT WORK.
The three of us who have the M-Audio with Cubase LE8 are geographically dispersed-the thinking was to generate files (music) and collaborate with no regard to distance. Operating systems, secure drop boxes,VPNs and File transfers over the internet have taken care of the distance. The glitch is the software being used (or trying to be used). To answer your question would I be tempted to BUY software from Steinberg The answer would be a resounding No.
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The Cubase Patched Version Synthesizer is a simple synth with a full feature set that includes a sound, control panel, global modulation matrix, 8 waveforms, 14-voice polyphony and dual modes (monophonic and dual modes). Each of its eight waveforms can be set to a different keyboard scale, with different MIDI instrument options and a view of the modulation matrix. Its a bit of a throwback, but a welcome one
The Master Channels appear to be a little like the Monomes from vintage guitar effects. The first waveform can be used to control the overall tone of the voice and the other three act as sliders to control the filter, resonance and EQ. The keyboard control panel is very functional and allows you to configure channel effects and even edit and automatically update the automation data, an interesting move. The Master Channels are a welcome addition to the already comprehensive set of Cubase effects.
The Transient Designer now supports both the new Impulse Tracker HV4 format and is bundled with the Impulse Tracker plug-in. The HV4 format, which is also used by FL Studio and Sonar, is used to store waveforms and effects and can be played in Cubase. It can be a bit tricky to get used to (and you need to buy a license), but is worth experimenting with as its a very versatile format. Impulse Tracker is available as a VST update in Cubase. It includes a huge range of sound effects, effects instruments and synth patches that can, with some imagination, be used to give a computer the range of sounds of your choice.
The new AutoFilter plug-in included with Cubase 12 effectively turns all selected tracks into an active stereo pass-through of the selected track. With AutoFilter On, when one channel of a stereo mix is muted, the other stereo channel is muted, too.
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Cubase has been around since the 80s and is still one of the most used DAWs. Its a very strong software packed with features and has everything you might need to record, compose, mix and master your music. The software is continuously updated and is now split into different versions, from the basic one a bedroom guitarist could use to the Pro version reserved for serious producers.
The battle of the DAWs has been going on since the grandfather of DAWs, Cubase, got its first rival. Since then, big studios to bedroom musicians have been reviewing all new alternatives, to the point where companies have improved their software so much as to tick most boxes for producers. I recently decided to go from the legacy Cubase to the much cheaper open-source REAPER.
Finally, are you interested in learning how to become a successful producer? If so, Cubase is a godsend. With it, youll have at your fingertips a breathtaking collection of mixing/editing tools, on a computer platform thats been developed over 15 years.
Cubase isnt perfect and neither are we. However, it will teach you enough about how to master your own tracks, maximize your main recording software, and the basics of audio and music production in general. Cubase is one of the most versatile software programs out there and if you have any experience in music production, youll know all too well the importance of learning how to use such an incredible piece of software.
Cubase contains tons of features, including a flexible MIDI clock for perfect beat synchronization. Cubase will show you how to make any type of transition from one song to another. It has an interactive design feature that lets you see what youre doing from any angle with the click of a button. If youre looking for a top-tier track producer that can help you get your creative musical ideas off the ground in Cubase, look no further.
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- More than 2,600 sounds and 59 effects, on 64 MIDI and audio tracks
- 48 audio tracks in the Pro, Artist, and Elements versions
- 21 virtual instruments for classic-style preset production
- Groove Agent SE 5 for virtual instrument integration and sampling, and a virtual sampler
- Retrologue 2 for virtual instruments and samples
- Edit tracks up to 100MB. Requires Cubase 6.6+
- Cubase LE 3
- Cubase for Live features
- 80-audio track limit on Cubase LE 3 and App Builder
- Mixing, editing, exporting, and mastering features for full-feature recording
- FX, effects, and plug-ins for editing and enhancing recorded tracks
- Multi-track sequencer for chord creation and synth multitrack recording
Cubase System Requirements
- OS: Windows 95, 98, ME, NT, 2000, XP, Vista, 7 or later
- CPU: 32- or 64-bit processor (2.2 GHz)
- Memory: 2 GB of RAM
- Sound Card: 16-bit sound card with 24-bit/48 KHz sampling rate
- Hard Drive: 2 GB of free hard disk space
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