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Another major update to Loves software is the integration of a new Ableton product called Link. With Link enabled, you can sync your version of Live in time with friends using other computers quickly and easily over a wifi network. This awesome new feature comes as a long awaited solution for better jamming and collaboration, continuing to push boundaries for making computers truly more improvisational instruments. And its not just for your laptop. Link will be integrated into a number of iOS music-making apps such as iKaossilator, iMPC, MoDrum, Audiobus and many more to come. See how Link works here:
With the ‘close-up’ camera mode you can now have full control of the Korg Kaossilator2 and other devices over Live’s MIDI/audio interface. Once you have successfully loaded a device into the Korg’s ‘Ensemble’ slot, the Kaossilator2 will appear as a new device in both the editing and display screens in Live. You’ll be able to tweak settings, press a button and hear the results instantly.
Ableton have just released a new audio plugin which provides a very simple and unique way of editing and controlling (and of course recording) when making groove loops. ReSeguir is a cross-platform iOS and Mac OS X app which lets you record, edit and loop audio on desktop and mobile phones using your computer as a remote control. The stable is currently in beta and is only available on the iPhone for now, but it’s an exciting new innovation.
Live 8 has a new instrument called the Oscillator. It allows you to generate wavetables that can then be modified or patterned using a simple interface. This comes with the added advantage of having a very large collection of pre-programmed wavetables that you can pluck from, as well as allowing you to create your own custom wavetables. It’s like having your own custom sampler, and comes with a number of additional editing facilities.
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Ableton describes Live as an instrument-based audio workstation. The reasoning for this approach is that Live is about being able to use anything as a musical instrument. The possibilities are endless. Every instrument created for Live is a composition in and of itself. Youd never have to pluck a string or flip a switch to create your own unique instrument. The idea is for you to be able to do so in real-time. Max/MSP is the language in which the ideas you create are expressed and delivered to the computer. Live then employs a host of synths, drum machines and samplers to execute your ideas.
So now Ive taken the idea of the ensemble of musicians using their own instruments and created their own instruments for the piece, but what I really want to do is take this idea to the next level and create a live ensemble of musicians and a live ensemble of instruments that play together. Everything sounds like music except for one tiny detail: how do I give one instrument the ability to change pitch while others play in the key theyre in. How do I make the ensemble of musicians perform in unison, or in harmony or counterpoint with each other when they play together. How do I make them sound like a real ensemble, like a band.
Theres no secret formula for making music. But with so many different tools available to experiment with, youll find ways to use them to achieve the effect that you are after. Yes, Live is a lot of fun. Im currently performing my own composition called I Like It Because and it was composed using Ableton Live.
Ableton Live is also a work in progress so we have no idea how good or how bad it will be in time, but its exciting to see how far it has come, especially with the recent 8.0 release. One of the things I do know is that Push will offer guitarists and bassists an exciting, affordable and creative way to add instruments to their live set-up.
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The new Pitch Transformer tool gives your software “smart” pitch correcting. You choose what window of your audio, the timbre of the sounds (i.e. organ, piano, strings, etc.) and the actual pitch, and Live offers a pitch “adaptation” that makes the audio a better match to the chosen sound. For example, if you record a plucked acoustic guitar, it might be played in tune, but if you want a bright, cold sound, you’d have the guitar sit in the middle of the display and let the pitch adjust.
Ableton Live Lifetime Version has a whole new range of instruments and effects, and at times it might be overwhelming just how many options you have. There are so many new sounds and approaches to sound design and use, it would be impossible to review them all in detail here. However, I’ve taken a selection of what I felt were the best and most useful all-around tools and I’ve put them in the arsenal of any Live 11 user.
Ableton’s multi-channel instruments are back, and there is plenty of room for expansion and refinement. Each instrument has a large independent full-band spectrum, providing plenty of usable controls to address your particular stylistic requirements.
Ableton Live’s default mixer offers a useful live performance mode. By default, the Mixer has two buses; Main and Aux. The Main bus is for soloing and performance. The Aux bus is set as “loop back”, so it goes back to the Main bus when Solo is engaged. Effects such as Reverb, Delay and EQ are placed on the Main bus, while Aux is set to record your performance. You can now also set a set of panning controls on the Aux bus, which can be useful for getting a mix playing together but leaving space for yourself to perform.
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What’s new in Ableton Live

- New MIDI routing tools, including 2 brand new midi tools: Scroll for more MIDI options.
- A set of new graphic tools to help with more precise MIDI conversion and monitoring.
- A set of new automation tools that enable more control over the midi data and improve the overall workflow in Live 8. Save Panning, Automation is now more flexible. I/O, LFO, and Volume automation improvements.
- Automation now makes real-time midi editing possible. Use the mixer and copy-paste as you would with Audio tracks.
- Ableton Suite 8.6 for the Mac.
- A new set of advanced effects that build on the existing plug-in sets.
- A new set of tools that make it easier to work with your own MIDI devices in the DAW.
- Last but not least – Groove Agent!
Ableton Live Features

- Reveal Each Idea
- Record & Organize All MIDI/Audio
- Import Your Own Files & Instruments
- Smart Drag and Drop & Quick Access
- Split Devices into Panes
- Organize Your Audio
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